My last post provided some impressions on the first two days of the first-ever Design Automation Conference (DAC) in Austin. It was very personal and perhaps even a bit self-congratulatory since I was so excited about how well the conference had gone for Breker. Well, this post isn’t going to be any less upbeat since the final day of the show was also great fun. For a start, we scanned more badges on Wednesday than on either Monday or Tuesday. That has to be a DAC first.

In addition to the skit and musical entertainment in our DAC booth theater, we also offered a brief product overview and several guest presentations. I’d like to thank Brian Bailey of EDA DesignLine and Brian Bailey Consulting, J.U. Nambi of CMR, and Srini Venkataramanan of CVC. Each of their talks drew a crowd and contributed to the diversity of our theater program. I’d like to expand this even further at future shows, with customers and additional partners offering their thoughts.

I was pleased with the technical panel “Disruptive Verification Technologies: Can They Really Make a Difference?” on Wednesday morning. Moderator Brian Bailey wove together several threads about the state of functional verification and a couple of “non-answers” from the panelists opened up some additional topics. I thought that Breker CEO Adnan Hamid did a nice job of positioning our SoC verification approach as a rare example of a technology that is disruptive yet usable today.

After a very busy six days (two days of booth setup, an all-day company meeting, and three days of exhibits), I finally found an hour or so to wander through the Convention Center and see what other companies had done for the show. I spotted two other booths with professional entertainers, but no musicians. As far as I could tell, in the self-proclaimed Live Music Capital of the World, Breker was the only DAC exhibitor to feature live music in its booth.

Since I did my wandering around wearing the “Breker Man” cape from our skit, I saw lots of double-takes and a few doubling-overs with laughter. My former colleagues at Cadence teased me repeatedly and I’m sure there are incriminating photos somewhere on the Web, but I minded not a bit. The combination of recommendations from Gary Smith and others, Breker’s growing reputation, live music, and a wacky skit that stopped people in their tracks resulted in us gathering more than three times the leads of any previous DAC (or any other show).

Finally, I can’t say enough good things about the decision to hold DAC in Austin. Our lead number speaks for itself and, as I noted in my last post, we saw a lot of local folks who had never attended a DAC before. We had tons of good food, including four of the most famous BBQ joints, and I capped the week off with visits to the Blanton Museum of Art and the incredible Flatbed Press and Gallery before heading to the airport on Thursday. I’m planning a separate post on DAC locations, but for now suffice to say that I hope Austin becomes a regular stop.

Tom A.

The truth is out there … sometimes it’s in a blog.