This year’s HP workstation product launch event was the biggest I’ve ever attended, and the most exciting in terms of the revolutionary new product offerings presented and the people I met and interviewed.
We gathered early on Wednesday morning in a large hall in the NYC Sheraton Hotel, right in the midst of bustling Times Square, and to get the ball rolling were treated to speeches by some heavy hitting HP workstation users.
The Appetizer
Mark Russell – Director, Producer, and Vfx Expert
First at bat was Mark Russell, and he hit it out of the park. Mark is an independent Vfx creator and supervisor who headed up the special effect team during filming and now working post production on the upcoming Martin Scorsese film ‘The Wolf of Wall Street’ that’s destined to become a blockbuster when it hits the theaters later this year.
We were treated to some video outtakes from this production that showcased the VFx work that Mark produced for this film that was primarily shot and produced on Long Island and in Manhattan, just a quick subway ride to Brooklyn where Mark lives.
When you watch the film you won’t know where reality ends and CG takes over, it’s done that well. One series of fly-over shots were taken of a mansion in the Hamptons with multiple takes from a 4-bladed radio controlled miniature helicopter equipped with a super high-definition camera that transmitted the video wirelessly to an HP workstation on the ground for processing and viewing in real time. The mini-copter stays in the air for less than a minute before running out of juice and the ground crew had to plop in new batteries fast to get this small bird back in the air before the ‘magic’ light evaporated. The perfect lighting conditions occur close to sunset and the perfect light window lasts only around thirty minutes, so the film crew had to be super organized to shot this series in the allotted time, and keeping everyone and everything organized was a major part of Mark’s job. Oh, and they did make a rendered CG Model of the mansion that you can’t tell from the real thing for shots that the mini-copter just couldn’t cope with.
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